A variety of pages for Naima.

with Tristan Bagot

Like the Atlantic, the design grid of The Craft of Place separates and connects Mork-Ulnes’ projects.

with Samuel Bänziger

The artworks created for Frank Ocean appear to be an intentional puzzle to decipher.

with Nejc Prah

Michael Abel Deng’s work in 1:38, 1:9, or 1:1.

with Tristan Bagot

Abel Nile New York’s identity is a register for information.

Closing volume of the Cahiers d’Artistes series, published by Jungle Books.

with Kasper-Florio and Samuel Bänziger 

The research project Image Generation puts single images in a relationship. 

with Ollie Schaich, Oliver Kerrison and Andreas Triet

Spirits out of Trees includes two projects by Francis Kéré: one shown from sketch to building, the other from building to sketch.

with Samuel Bänziger

Hacking production processes to turn Haw-Lin from a blog into a print magazine.

Eleven covers for the tenth issue of Greatest.

with Kasper-Florio and Samuel Bänziger 

00 Magazine Magazine is an online exhibition and faux magazine that coincides with the artist Dozie Kanu’s exhibition at Project Native Informant. 

45:16 minutes in length, Endless shows Frank Ocean building a staircase. 

with Frank Ocean and Thomas Mastorakos

Stories of the Greatest Magazine, enriched in silver tones. 

with Kasper-Florio and Samuel Bänziger 

The exhibition communication between Kunstmuseum and Kunsthalle Appenzell connects the two institutions, separated by a ten-minute walk.

with Data-Orbit

The cultural magazine Saiten is published monthly in eastern Switzerland.

with Data-Orbit

In Clemens Ascher's ongoing series Of Forms and Traces, each book echoes a preceding element.

Blonde. blond. 

with Frank Ocean and Thomas Mastorakos

Die Rationalität des Baumeisterlichen by Thomas K. Keller is a silent manifesto.

with Samuel Bänziger and Sebastian Stadler

Digital Homer store.

With Tracy Ma

Conventional architectural standards transferred to font size for Stadt und Wohnen. 

with Samuel Bänziger

The second edition of Naima revives a bygone form — looking ahead by echoing time.

Architecture of Noise at Mies van der Rohe's Farnsworth House confronts the density of the present to understand the world through making.