The second edition of Naima revives a bygone form — looking ahead by echoing time.

Blonde. blond. 

with Frank Ocean and Thomas Mastorakos

Michael Abel Deng’s work in 1:38, 1:9, or 1:1.

with Tristan Bagot

The cultural magazine Saiten is published monthly in eastern Switzerland.

with Data-Orbit

Digital Homer store.

With Tracy Ma

00 Magazine Magazine is an online exhibition and faux magazine that coincides with the artist Dozie Kanu’s exhibition at Project Native Informant. 

Abel Nile New York’s identity is a register for information.

In Clemens Ascher's ongoing series Of Forms and Traces, each book echoes a preceding element.

Stories of the Greatest Magazine, enriched in silver tones. 

with Kasper-Florio and Samuel Bänziger 

The artworks created for Frank Ocean appear to be an intentional puzzle to decipher.

with Nejc Prah

The research project Image Generation puts single images in a relationship. 

with Ollie Schaich, Oliver Kerrison and Andreas Triet

45:16 minutes in length, Endless shows Frank Ocean building a staircase. 

with Frank Ocean and Thomas Mastorakos

Architecture of Noise at Mies van der Rohe's Farnsworth House confronts the density of the present to understand the world through making.

Die Rationalität des Baumeisterlichen by Thomas K. Keller is a silent manifesto.

with Samuel Bänziger and Sebastian Stadler

Spirits out of Trees includes two projects by Francis Kéré: one shown from sketch to building, the other from building to sketch.

with Samuel Bänziger

Closing volume of the Cahiers d’Artistes series, published by Jungle Books.

with Kasper-Florio and Samuel Bänziger 

Like the Atlantic, the design grid of The Craft of Place separates and connects Mork-Ulnes’ projects.

with Samuel Bänziger

Eleven covers for the tenth issue of Greatest.

with Kasper-Florio and Samuel Bänziger 

A variety of pages for Naima.

with Tristan Bagot

Conventional architectural standards transferred to font size for Stadt und Wohnen. 

with Samuel Bänziger

The exhibition communication between Kunstmuseum and Kunsthalle Appenzell connects the two institutions, separated by a ten-minute walk.

with Data-Orbit

Hacking production processes to turn Haw-Lin from a blog into a print magazine.