The artworks created for Frank Ocean appear to be an intentional puzzle to decipher.

with Nejc Prah

The exhibition communication between Kunstmuseum and Kunsthalle Appenzell connects the two institutions, separated by a ten-minute walk.

with Data-Orbit

A variety of pages for Naima.

with Tristan Bagot

Architecture of Noise at Mies van der Rohe's Farnsworth House confronts the density of the present to understand the world through making.

Michael Abel Deng’s work in 1:38, 1:9, or 1:1.

with Tristan Bagot

Conventional architectural standards transferred to font size for Stadt und Wohnen. 

with Samuel Bänziger

Abel Nile New York’s identity is a register for information.

Closing volume of the Cahiers d’Artistes series, published by Jungle Books.

with Kasper-Florio and Samuel Bänziger 

Die Rationalität des Baumeisterlichen by Thomas K. Keller is a silent manifesto.

with Samuel Bänziger and Sebastian Stadler

The cultural magazine Saiten is published monthly in eastern Switzerland.

with Data-Orbit

Eleven covers for the tenth issue of Greatest.

with Kasper-Florio and Samuel Bänziger 

00 Magazine Magazine is an online exhibition and faux magazine that coincides with the artist Dozie Kanu’s exhibition at Project Native Informant. 

The second edition of Naima revives a bygone form — looking ahead by echoing time.

45:16 minutes in length, Endless shows Frank Ocean building a staircase. 

with Frank Ocean and Thomas Mastorakos

Digital Homer store.

With Tracy Ma

Blonde. blond. 

with Frank Ocean and Thomas Mastorakos

Spirits out of Trees includes two projects by Francis Kéré: one shown from sketch to building, the other from building to sketch.

with Samuel Bänziger

The research project Image Generation puts single images in a relationship. 

with Ollie Schaich, Oliver Kerrison and Andreas Triet

Stories of the Greatest Magazine, enriched in silver tones. 

with Kasper-Florio and Samuel Bänziger 

In Clemens Ascher's ongoing series Of Forms and Traces, each book echoes a preceding element.

Hacking production processes to turn Haw-Lin from a blog into a print magazine.

Like the Atlantic, the design grid of The Craft of Place separates and connects Mork-Ulnes’ projects.

with Samuel Bänziger